|Inez de Vega, Video Still, When We Are Dying|
In video works such as Olympia (2013), de Vega films herself interacting with characters and sequences from old movies, employing her 'film-colonising' technique to situate herself within the frame of another director's masterpiece.
Her public works have examined the relentless excesses of self-criticism, and range from interviewing passers-by on the street to determine if the artist is too fat (Tell Me the Truth) to succumbing to the hysteria of city living (Naming Names) to lying in a pool of vomit accompanied by a soundtrack that suggests — dishearteningly — that she is "only doing it for attention".
The individuals de Vega creates are driven to extremes. They transgress social norms and articulate the mental states that collectively we do our best to hide from one another. But whether our mental suffering is the result of a diagnosable psychiatric illness or the anxieties of everyday living, we each find a way of acting out our neuroses. And therein lies the artist's obsession: how do we perform our own madnesses?
Inez de Vega